And Krita's smudge brushes allow you to put down new color even as you smudge existing colors. Krita's smudge brush engine allows you to produce the smudged image on a new transparent layer by pulling colors from the underlying layers, which allows quite a bit of ease when reworking any given area of the image. If she does use smudge-painting, she applies it with a great deal of skill and restraint.Īs much as I like using GIMP-CCE for painting, GIMP's smudge brush isn't nearly as capable as Krita's. Smudge-painting would be one way to get the beautifully smooth and carefully augmented colors that characterize her composites. I somewhat wonder if perhaps photographer Cheryl Medow featured in National Geographic incorporates smudge-painting techniques to produce her rather amazing composite bird photographs. Nonetheless, smudge-painting is a useful tool for augmenting traditional photographic editing. In some quarters smudge-painting has the reputation of being a good way to make photographs look like bad paintings (which might be exactly what I did to my morning glory photograph). Final tonal and color adjustments in GIMP-CCE
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